Monthly Archives: October 2018

Pittsburgh / Deep of the Morning

More, later, to be said on the atrocity in Squirrel Hill. For now, thoughts go to our friends affected, as bits of a song by our much-missed friend Karl Hendricks ring in my ears.

Pittsburgh
Deep of the morning
Gunshots in the alley
My heart in my mouth
Everyone’s still in their bed, still sleeping
Their breaths like moonbeams
Breathe in, breathe out
Breathe in, breathe out
Breathe in, breathe out

‘Cause everyday’s another stupid miracle
An intolerable surprise
Feels like I’m always finding out
I’m alive

– Karl Hendricks

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“A grammar built with rocks” exhibit in Los Angeles Oct 13-Dec 22, 2018.

A_grammar_built_with_rocks“A grammar built with rocks” is an exhibit by Marwa Arsanios, Pauline Boudry / Renate Lorenz, Shannon Ebner, and Park McArthur that includes text from my book Clean and White. It opens in Los Angeles October 13.

A grammar built with rocks presents artistic practices that trace the racialized and gendered relationship between bodies and land, and question narratives of socioecological crisis that contribute to the displacement and erasure of people and collective formations. Through a two-part group exhibition, public programing, and publication, the project aims to think with the land—materially and relationally—in order to unpack and historicize notions of waste and contamination as they relate to the politics of access, property, and the violence of land allotment. Together, the featured works explore how the materiality of land permeates our identities and representational structures, and simultaneously molds the body.

The project appropriates its title from Édouard Glissant’s writings, as it looks to the ways in which the landscape contains, unfolds, and narrates its own history. It searches for traceable fissures within contested sites, as an aftermath of violence and altering states of upheaval. The exhibition at Human Resources considers the material, psychic, and social relations that constitute place as asite of knowledge production, and the “below”(below-ground, below-surface) as emblematic of both resistance and retreat. Together, the works and programs expose the violence inherent in geographic processes (of territorialization, privatization, and urban renewal) and offer artistic methodologies (of documentation, performance, and embodied archival practices) that surface buried histories and reorient perspectives to understand land as a bearer of relationships, resilience, and memory. The exhibition at ONE Archives at the USC Libraries extends this inquiry to center on the interrelation between the body and place, exploring how discourses of value and waste (through motifs of the toxic, the disposable, the contaminant) influence individual and collective spatial agency within the landscape, the institution,the state).

A grammar built with rocks began with research into the 1950s history of the Chavez Ravine evictions, and expanded with the following questions: How does unearthing soil, sediments, remnants, and buried life-forms open up space for concealed voices and histories, and reveal interconnected systems of power and violence on people and place? What does thinking geography relationally rather than territorially look like? How do meta-narratives of development, modernization, and crisis contribute to practices of dispossession?

The opening reception is Saturday, October 13 from 5-8pm in the ONE National Gay & Lesbian Archives at the USC Libraries (909 West Adams Boulevard, Los Angeles, CA 90007). For more information, including the publication containing my text, see the exhibit website.